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Please note:

Sonic Environments will run from Sunday 10th July until Monday 11th July
NIME will run from Monday 11th July until Friday 15th July.



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Wednesday, July 13 • 13:30 - 15:00
Demo & Poster 2

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Posters
  • MalletOTon and the Modulets: Modular and Extensible Musical Robots (Ajay Kapur, Jim Murphy, Michael Darling, Eric Heep, Bruce Lott, Ness Morris) Table 3
  • speaker.motion: A Mechatronic Loudspeaker System for Live Spatialisation (Bridget Johnson, Michael Norris, Ajay Kapur) Table 4
  • Transdisciplinary Methodology: from Theory to the Stage, Creation for the SICMAP (Barah Héon-Morissette) Table 5
  • Kinéphone: Exploring the Musical Potential of an Actuated Pin-Based Shape Display (Xiao Xiao, Donald Derek Haddad, Thomas Sanchez, Akito van Troyer, Rébecca Kleinberger, Penny Webb, Joe Paradiso, Tod Machover, Hiroshi Ishii) Table 6
  • Church Belles: An Interactive System and Composition Using Real-World Metaphors (Si Waite) Table 7
  • residUUm: user mapping and performance strategies for multilayered live audiovisual generation (Ireti Olowe, Giulio Moro, Mathieu Barthet) Table 8
  • Pendula: An Interactive Swing Installation and Performance Environment (Kiran Bhumber, Nancy Lee, Brian Topp) Table 9
  • Hitmachine: Collective Musical Expressivity for Novices (Kasper Buhl Jakobsen, Marianne Graves Petersen, Majken Kirkegaard Rasmussen, Jens Emil Groenbaek, Jakob Winge, Jeppe Stougaard) Table 10
  • Rhizomatic Approaches to Screen-Based Notation (Lindsay Vickery) Table 11
  • 3D Modelling and Printing of Microtonal Flutes (Matthew Dabin, Kraig Grady, Terumi Narushima, Stephen Beirne, Christian Ritz) Table 12
  • Csound Instruments On Stage (Alex Hofmann, Bernt Waerstad, Kristoffer Koch) Table 13
  • Controlling Complex Virtual Instruments – A Setup with note~ for Max and Prepared Piano Sound Synthesis(Thomas Resch, Stefan Bilbao) Table 14
  • Emovere: Designing Sound Interactions for Biosignals and Dancers (Javier Jaimovich) Table 15
  • Designing a Flexible Workflow for Complex Real-Time Interactive Performances (Esteban Gómez, Javier Jaimovich) Table 16
  • Driftwood: Redefining Sound Sculpture Controllers (Alexandra Rieger, Spencer Topel) Table 19
  • Leimu: Gloveless Music Interaction Using a Wrist Mounted Leap Motion (Dom Brown, Nathan Renney, Adam Stark, Chris Nash, Tom Mitchell) Table 20
  • Music Aid - Towards a Collaborative Experience for Deaf and Hearing People in Creating Music (Ene Alicia Søderberg, Rasmus Emil Odgaard, Sarah Bitsch, Oliver Høeg-Jensen, Nikolaj Schildt Christensen, Søren Dahl Poulsen, Steven Gelineck) Table 21
  • The Prospects of Musical Instruments For People with Physical Disabilities (Jeppe Larsen, Dan Overholt, Thomas B. Moeslund) Table 22
  • SoundMorpheus: A Myoelectric-Sensor Based Interface for Sound Spatialization and Shaping (Christopher Benson, Bill Manaris, Seth Stoudenmier, Timothy Ward) Table 23
  • PORTAL: An Audiovisual Laser Performance System (Gorkem Ozdemir, Anil Camci, Angus Forbes) Table 24
  • Materiality for Musical Expressions: an Approach to Interdisciplinary Syllabus Development for NIME (Rikard Lindell, Koray Tahiroglu, Morten Riis, Jennie Schaeffer) Table 29
  • Frontiers: Expanding Musical Imagination With Audience Participation (Marcelo Gimenes, Pierre-Emmanuel Largeron, Eduardo Miranda) Table 30
  • PourOver: A Sensor-Driven Generative Music Platform (Kevin Schlei, Chris Burns, Aidan Menuge) Table 31
  • Hacking NIMEs (Abram Hindle) Table 32
  • Drumming with style: From user needs to a working prototype (Sergi Jordá, Daniel Gómez-Marín, Ángel Faraldo, Perfecto Herrera) Table 33
  • Understanding Cloud Service in the Audience Participation Music Performance of Crowd in C[loud] (Sang Won Lee, Antonio Deusany de Carvalho Junior, Georg Essl) Table 34
  • An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis (Cárthach Ó Nuanáin, Sergi Jordà, Perfecto Herrera) Table 35
Demos
  • Wireless Vibrotactile Tokens for Audio-Haptic Interaction with Touchscreen Interfaces (Edgar Berdahl, Danny Holmes, Eric Sheffield) Table 1–2
  • Very Slack Strings: A Physical Model and Its Use in the Composition “Quartet for Strings” (Edgar Berdahl, Andrew Pfalz, Stephen David Beck) Table 17–18
  • A Musical Game of Bowls Using the DIADs (Sam Ferguson, Oliver Bown) Table 25–26
  • x2Gesture: how machines could learn expressive gesture variations of expert musicians (Christina Volioti, Sotiris Manitsaris, Eleni Katsouli, Athanasios Manitsaris) Table 27–28
  • Headline grabs for music: The development of the iPad score generator for “Loaded (NSFW)” (Cat Hope, Stuart James, Aaron Wyatt) Room 1.21
  • How to Stop Sound: Creating a light instrument and ‘Interruption’ a piece for the Mimerlaven, Norberg Festival 2015. (Ben Eyes, Laurits Esben Jongejan) Room 1.39
  • Tango: Software for Computer-Human Improvisation (Henning Berg) Room 3.66

Presenters
avatar for Christopher Benson

Christopher Benson

Graduate Research Assistant, College Of Charleston
Chris Benson studied Classical Guitar Performance, Computing in the Arts and Computer Science at the University of South Carolina and the College of Charleston. | | He is currently in the Computer Science masters program at the College of Charleston. His graduate research is focused in the creation of hyper-instruments and development in psycho-acoustic 3D audio renderings to create more immersive listening/performance experiences.
avatar for Edgar Berdahl

Edgar Berdahl

Assistant Professor, Louisiana State University
avatar for Kiran Bhumber

Kiran Bhumber

Musician / New Media Artist, University of British Columbia|Vancouver|British Columbia|Canada
Kiran Bhumber is a musician, new media artist and educator based in Vancouver. Her work focuses on movement and interactions through exploring the undeniable physical nature of sound. These themes are manifested through creating interactive systems which track gesture to create reactive environments in musical performances and participatory installations. She is currently involved in a variety of musical projects and teaches music technology... Read More →
DB

Dom Brown

University of the West of England|Bristol|Avon|
BE

Ben Eyes

University of York |York|NORTH YORKSHIRE|United Kingdom
avatar for Marcelo Gimenes

Marcelo Gimenes

KTP Associate, Plymouth University
Pianist, composer and experimental electronic musician Marcelo Gimenes’ career includes a comprehensive array of activities in different settings and styles, from classical to contemporary music and jazz improvisation. He is particularly interested in exploring music as an interactive medium through which people communicate and interconnect. To achieve that, he develops bespoke technological tools that are incorporated in his performances... Read More →
DG

Daniel Gomez

Universitat Pompeu Fabra|Barcelona|Barcelona|Spain
BH

Barah Héon-Morissette

Université de Montréal|Montréal|Québec|Canada
AH

Abram Hindle

University of Alberta|Edmonton|Alberta|Canada
avatar for Alex Hofmann

Alex Hofmann

Assistant Professor, University of Music and Performing Arts Vienna|Vienna||Austria
Live Electronics with Saxophone | Csound, SuperCollider | Rapsberry Pi
KB

Kasper Buhl Jakobsen

Aarhus University, Department of Computer Science|Aarhus|8210|Denmark
SJ

Stuart James

Edith Cowan University|Perth|Western Australia|Australia
AK

Ajay Kapur

Associate Dean of Research and Development in Digital Arts, California Institute of the Arts
avatar for Bill Manaris

Bill Manaris

Professor, Computing in the Arts, College of Charleston|Charleston|South Carolina|United States
Bill Manaris is a computer science researcher, educator, and musician. He is Professor of Computer Science, and Director of Computing in the Arts at the College of Charleston, SC, USA. His interests include human-computer interaction, artificial intelligence, and the intersection of computing and the arts. He explores interaction design and modeling of human aesthetics and creativity via statistical, connectionist, and evolutionary techniques. He... Read More →
avatar for Terumi Narushima

Terumi Narushima

Senior Lecturer in Music, University of Wollongong
DO

Dan Overholt

AD:MT|Aalborg|Denmark|Denmark
avatar for Gorkem Ozdemir

Gorkem Ozdemir

Istanbul Technical University|Istanbul||Turkey
TR

Thomas Resch

Universitiy of Music Basel, FHNW|Basel||Switzerland
avatar for Kevin Schlei

Kevin Schlei

University of Wisconsin-Milwaukee|Milwaukee|Wisconsin|United States
ES

Eric Sheffield

Louisiana State University|Baton Rouge|Louisiana|United States
avatar for Koray Tahiroğlu

Koray Tahiroğlu

Research Fellow, Aalto University|Espoo||Finland
http://sopi.aalto.fi/
LV

Lindsay Vickery

Edith Cowan University|Perth|Western Australia|Australia
CV

Christina Volioti

UNIVERSITY OF MACEDONIA|THESSALONIKI||GREECE
SW

Si Waite

Staffordshire University|Stoke-on-Trent|Staffordshire|UK

Performers
avatar for Henning Berg

Henning Berg

Professor for Jazz Trombone, Hochschule fuer Musik und Tanz, Koeln
Computer-Human Improvisation, Interactive Music Software


Wednesday July 13, 2016 13:30 - 15:00
Basil Jones Orchestral Hall 1.82 Queensland Conservatorium

Attendees (26)