The Sonic Environments program includes a diversity of installations and experiences happening continuously throughout the building. Please download PDF program below for further information on each work.
Queensland Conservatorium Foyer
“Aural Fabric: Greenwich” - Alessia Milo
“Reversed Masking” - Mauricio Iregui
Room 2.16 (Level 2)
A’varitia - Silent Greed” - May Wing Joy Chang
Room 2.30 (Level 2)
“Flight Variant” - Teresa Connors
Room 2.26 (Level 2)
“It is impossible to know about Earth.... so we must hear her voice in our own way” - Johann Diedrick
Queensland Conservatorium Research Centre (Room 3.44, Level 3)
“Delta Soundings” - Adam Molinski
“The Holy Well Suite” - Dallas Simpson
“Listening Earth” - Andrew Skeoch
“EcoRift Virtual Reality and The Listen(n) Project” - Garth Paine and Sabine Feisst
“3D-Sound and VR-Audio Demo” - Sabine Breitsameter
“Vanuatu Women’s Water Music” - Sandy Sur and Tom Dick
“Conservation VR Experiences” - QCRC Music Technology Research Focus Area Group
“The Kaleidophone – a sonic collage of the Leweton Cultural Experience in Vanuatu” - Toby Gifford and Kate Genevieve
Sonic Environments Listening Room (Music Technology Area, Room 3.36)
“Floating Sound” - Mari Ohno
“Nero ipogeo” - Roberto Zanata
“Les chants de la mer (Songs of the see)” - Gilles Fresnais
“1916” - Daria Baiocchi
“Apax” - Alexis Langevin-Tétrault
“usedlost” - Roger Alsop
“Inhabitated Places_Part III (Three Degrees of Inner Motion)” - Jones Margarucci
“Reverie of Solitude” - Kyle Vanderburg
“A Small Timequake // Of Shifts And Currents” - Cissi Tsang
“What you might have heard..’” - Nigel Frayne
“Cúige (Province)” - Cárthach Ó Nuanáin
Immersive Installations (Music Technology Area, IMERSD Live Room)
“Fluctuant” - Mauricio Iregui and Toby Gifford
“XIRMINJA NAHPY BERRY” - Pablo Sanz
Augmented Reality Soundwalks
“Ambulation” - Tim Shaw (Sound Walk)
“Tour(ist)” - James Partaik, Luc Lévesque and Hernando Barragan
“CANOPY: Rainforest Listening 2.0” - Leah Barclay and Toby Gifford
